Creative Destruction: How Globalization Is Changing the Worlds Cultures

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Most helpful customer reviews on Amazon. March 16, - Published on Amazon. Verified Purchase.

Kundrecensioner

This book could have been written in a week. It is shallow. Let me provide one example of its shallowness: The author sees value in cultures becoming more cosmopolitan. He makes a cute argument that diversity adds to cosmopolitanism e. Then he moves on to talking about loss of national cultures. He acknowledges that different national cultures can add to cosmopolitanism. So I would have expected some discussion about this source of diversity in the future. If cosmopolitanism takes over there will be less diversity for cosmopolitanism to thrive on. So does national culture need some kind of protection?

Creative Destruction How Globalization Is Changing the World's Cultures 1st First Edition

I have no problem with the author taking a libertarian viewpoint, but I cannot stand the shallow reasoning. I am angry having spent time on the book. Having said that, the author is clearly not stupid. There are interesting points in the book, if you really want to read more about the subject.

Just don't expect this book to provide much in terms of useful references. October 13, - Published on Amazon. March 6, - Published on Amazon.

Creative Destruction: How Globalization Is Changing the World's Cultures

July 21, - Published on Amazon. Tyler Cowen very adeptly reminds the reader that the world's regional cultures have never been static. What we think of as "native" art is really a product of global influence on a local population. So of course it seems silly to decry globalization as homogenizing cultures, when we understand that cultures have always interacted with each other. Indeed, what we are seeing with globalization is the increasing heterogenizing of cultures.

Sure you see McDonalds almost everywhere, but you also see indigenous art from Central America, music from the Congo, movies from France, and food from India. Tyler Cowen does not dismiss the degredation of certain cultural aspects, but he matter-of-factly points out that the alternative, protectionism, is more destructive in the long run, since creativity is stifled.

About the author

February 6, - Published on Amazon. One of Cowen's central arguments is that globalization creates less diversity between cultures but more between individuals. So should we be pro individualism or pro collectivism? His last three chapters on Hollywood, Dumbing Down, and National Culture are the most memorable, and persuasive.

I especially enjoyed the chapter on Hollywood. His explanation of how modern cinema is what it is was enlightening.

Overall Cowen does what he set out to do; explained how globalization has changed world cultures. More often than not Cowen thinks this has had a net positive effect, but he does argue the other side of the coin. Your points will be added to your account once your order is shipped. Click on the cover image above to read some pages of this book!

A Frenchman rents a Hollywood movie. A Thai schoolgirl mimics Madonna.

It is a commonplace that globalization is subverting local culture. But is it helping as much as it hurts? In this strikingly original treatment of a fiercely debated issue, Tyler Cowen makes a bold new case for a more sympathetic understanding of cross-cultural trade. On the whole, argues Cowen in clear and vigorous prose, they are friends.

Cultural "destruction" breeds not artistic demise but diversity.


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Through an array of colorful examples from the areas where globalization's critics have been most vocal, Cowen asks what happens when cultures collide through trade, whether technology destroys native arts, why and whether Hollywood movies rule the world, whether "globalized" culture is dumbing down societies everywhere, and if national cultures matter at all. Scrutinizing such manifestations of "indigenous" culture as the steel band ensembles of Trinidad, Indian handweaving, and music from Zaire, Cowen finds that they are more vibrant than ever--thanks largely to cross-cultural trade.

For all the pressures that market forces exert on individual cultures, diversity typically increases within society, even when cultures become more like each other.


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  • Trade enhances the range of individual choice, yielding forms of expression within cultures that flower as never before. While some see cultural decline as a half-empty glass, Cowen sees it as a glass half-full with the stirrings of cultural brilliance. Not all readers will agree, but all will want a say in the debate this exceptional book will stir. Cowen's point, argued neatly in Creative Destruction, is that the invasion works both ways. Indeed, it has for such a long time that it is hard to say exactly where one culture begins and another ends.

    Wherever people are, almost all the cultural products that they think of as indigenous owe their existence to the cultural exchange brought about by trade.

    Book Review: Creative Destruction; Cosmopolitanism and Globalization | Ben Casnocha

    Henderson, Wall Street Journal "A short but rich study The book's basic point is that cultural globalization can increase the diversity of choices for the individual while reducing the diversity between societies across the globe Cowen underscores that cultural globalization is and always has been a dynamic process It can be an unsettling, disruptive process, but Mr.

    Cowen's book argues persuasively that it is a more creative way to go than the misguided cultural nostalgia peddled by the anti-globalization crowd. Sands, The Washington Times "Cowen has created a text at once impressively academic and thoroughly accessible. His book is an attempt to take a realistic look at the changes wrought by today's market-driven, free trade-oriented world. In fact, Cowen believes that commerce and art are allies. And he contends that because commerce is driving technology, ideas, goods, services and people across borders more freely than ever before, we are in the midst of an unprecedented boom in creativity all over the world.

    The quality, quantity and variety of cultural output is greater than ever; if there is more dreck, there is also more genius.

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